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When Ostade was still in pupil estate, in the late 1620s, Brouwer was at his brilliant beginnings at Haarlem. His influence is unmistakably dominant in the early Ostades. The peasant fights, at Munich and Dresden, the carouses, at Munich and Darmstadt, are conceived entirely in Brouwer's drastic vein, but are conducted without his conciseness and fine compositional economy. Ostade was ev

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